Beauty in the Beast

http://dbpedia.org/resource/Beauty_in_the_Beast an entity of type: Thing

Beauty in the Beast is a studio album from the American keyboardist and composer Wendy Carlos, released in 1986, on Audion Records, her first for a label other than Columbia Records since 1968. The album uses alternate musical tunings and scales, influenced by jazz and world music. On the back she includes a quote by Van Gogh: "I am always doing what I cannot do yet, in order to learn how to do it." rdf:langString
rdf:langString Beauty in the Beast
rdf:langString Beauty in the Beast
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rdf:langString Beauty in the Beast album cover.jpg
rdf:langString African rhythm
rdf:langString "tritone rich"
rdf:langString Beta and Alpha scales
rdf:langString Harmonic Scale with modulation
rdf:langString Harmonic Scale, jazz
rdf:langString Pelog and Slendro tunings
rdf:langString Harmonic Scale, "Hollywoodesque Mid-Eastern marketplace"
rdf:langString Bulgarian Sheperdess's "Izlel ye Delyo Haydutin" with tambura and dilruba, instead of Bulgarian bagpipes, appropriate raga tuning, western horns, crotales, and several hybrid timbres
rdf:langString Musical content
rdf:langString Audion Records
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xsd:integer 1990
rdf:langString pronounced "You say I say"
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rdf:langString Wendy Carlos
rdf:langString Incantation
rdf:langString A Woman's Song
rdf:langString Beauty In The Beast
rdf:langString C'est Afrique
rdf:langString Just Imaginings
rdf:langString Poem For Bali
rdf:langString That's Just It
rdf:langString Yusae-Aisae
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rdf:langString studio
rdf:langString Beauty in the Beast is a studio album from the American keyboardist and composer Wendy Carlos, released in 1986, on Audion Records, her first for a label other than Columbia Records since 1968. The album uses alternate musical tunings and scales, influenced by jazz and world music. On the back she includes a quote by Van Gogh: "I am always doing what I cannot do yet, in order to learn how to do it." As the liner notes state, the entire album is synthesized, meaning that "All the music and sounds heard on this recording were directly digitally generated. This eliminates all the limitations of microphones, the weak link necessary in nearly all other digital recordings, including those that use 'sampling' technologies."
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