Bassanello
http://dbpedia.org/resource/Bassanello an entity of type: WikicatWoodwindInstruments
El bassanello es un instrumento de viento madera de doble lengüeta encapsulada, con forma similar al fagot, que fue utilizado durante el Renacimiento. Se cree que fue inventado por el compositor italiano Giovanni Bassano hacia 1601. Fue descrito en 1619 por Michael Praetorius en su obra Syntagma musicum. La característica más relevante del bassanello era que su lengüeta se encontraba encerrada en una cápsula. No se conservan ningún instrumento de la época, por lo que solo es conocido por ilustraciones y descripciones escritas.
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Il bassanello era uno strumento musicale, della famiglia degli aerofoni a doppia ancia. Presentava un aspetto simile a un fagotto, ma il corpo era ricurvo. Ne venivano costruiti tre specie: basso, tenore e discanto. Secondo il compositore e teorico tedesco Michael Praetorius lo strumento fu inventato da Giovanni Bassano, appartenente all'omonima famiglia veneziana di musicisti. Lo strumento è stato usato dal Rinascimento fino al sei-settecento. Con lo stesso nome è indicato uno dei registri dell'organo, anch'esso ad ancia.
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Le bassanello est un instrument à vent et à anche double de la Renaissance, répandu en Italie jusqu'au XVIe siècle. Il s'agit d'un instrument à l'apparence proche d'un basson, inventé selon Michael Praetorius par Giovanni Bassano, un important musicien et compositeur vénitien. Selon Praetorius toujours, le son du bassanello était proche de celui du basson tout en étant beaucoup moins fort.
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The bassanello (plural bassanelli) was a Renaissance double reed woodwind instrument which was described in 1619 by Michael Praetorius in his Syntagma Musicum II: "Bassanelli derive their name from the master who created them, Johann Bassanello, an illustrious Venetian musician and composer. The bore of bassanelli is straight and opens at the bottom; and these instruments only have one key. They are blown by direct contact with the reeds, exactly as are curtals, pommers, and bassets, and are nearly the same as these instruments in timbre, but much softer. The cant, which is the littlest of the bassanelli, is notably excellent to hear on the tenor part in ensembles in which all types and sets of instruments are used, for its tuning is rather accurate, and is similar to flutes in the executi
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Das Bassanello (Plural Bassanelli) ist eine Schalmeienart vom Ende des 16. Jahrhunderts, die von Michael Praetorius im 2. Band De Organographia des Syntagma musicum beschrieben ist. Demzufolge wurden die Bassanelli von Giovanni Bassano in Venedig erfunden, wahrscheinlich gehen sie aber auf dessen Vater Santo Bassano († 1586) zurück. Jedenfalls sind sie nach der Musikerfamilie Bassano benannt. Bassanelli werden in drei Katalogen erwähnt, die 1577–1590, 1593 und 1613 datieren.
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Bassanello
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Bassanello
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Bassanello
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Bassanello
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Bassanello
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2995167
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1099588903
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Das Bassanello (Plural Bassanelli) ist eine Schalmeienart vom Ende des 16. Jahrhunderts, die von Michael Praetorius im 2. Band De Organographia des Syntagma musicum beschrieben ist. Demzufolge wurden die Bassanelli von Giovanni Bassano in Venedig erfunden, wahrscheinlich gehen sie aber auf dessen Vater Santo Bassano († 1586) zurück. Jedenfalls sind sie nach der Musikerfamilie Bassano benannt. Bassanelli werden in drei Katalogen erwähnt, die 1577–1590, 1593 und 1613 datieren. Die Bassanelli wurden mit einem S-förmigen Anblasbogen ohne Windkapsel geblasen. Sie hatten sechs Fingerlöcher vorne und eine Klappe. Hinten waren keine Löcher vorhanden. Die Bassanelli sollen im Klang den Pommern geähnelt haben, aber leiser gewesen sein. Praetorius beschreibt drei Größen: Bass (Tonumfang C bis e oder f), Tenoralt (G-c') und Diskant (d-g').
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The bassanello (plural bassanelli) was a Renaissance double reed woodwind instrument which was described in 1619 by Michael Praetorius in his Syntagma Musicum II: "Bassanelli derive their name from the master who created them, Johann Bassanello, an illustrious Venetian musician and composer. The bore of bassanelli is straight and opens at the bottom; and these instruments only have one key. They are blown by direct contact with the reeds, exactly as are curtals, pommers, and bassets, and are nearly the same as these instruments in timbre, but much softer. The cant, which is the littlest of the bassanelli, is notably excellent to hear on the tenor part in ensembles in which all types and sets of instruments are used, for its tuning is rather accurate, and is similar to flutes in the execution of a tenor part. With good reeds, bassanelli can be made to play rather high. Like shawms, they have seven fingerholes, with a key on the lowest. In the rear, however, there is no hole to be found. They are pitched a fourth lower than chamber pitch, for their lowest size is the bass in F, but in chamber pitch this is understood as the 8 foot C." Though Praetorius attributes the invention of bassanelli to Johann Bassanello (a.k.a. Giovanni Bassano), it is more likely Giovanni's father Santo who invented them. As there are no surviving examples of bassanelli, there has been some disagreement concerning its construction, e.g. cylindrical versus conical bore. A comparison of the lengths for the various sizes shown in the scale drawings by Praetorius to the pitches he gave for them, indicates the acoustical properties of a conical bore. The fact that there is no thumbhole (like the shawm) also points to a conical bore instrument that overblows at the octave, with no need to extend the range upward by means of a thumbhole (as is seen on the crumhorn, sordun, and other cylindrical bore reed instruments.) The quiet timbre was apparently produced by a narrow conical bore without a terminal flare.
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El bassanello es un instrumento de viento madera de doble lengüeta encapsulada, con forma similar al fagot, que fue utilizado durante el Renacimiento. Se cree que fue inventado por el compositor italiano Giovanni Bassano hacia 1601. Fue descrito en 1619 por Michael Praetorius en su obra Syntagma musicum. La característica más relevante del bassanello era que su lengüeta se encontraba encerrada en una cápsula. No se conservan ningún instrumento de la época, por lo que solo es conocido por ilustraciones y descripciones escritas.
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Il bassanello era uno strumento musicale, della famiglia degli aerofoni a doppia ancia. Presentava un aspetto simile a un fagotto, ma il corpo era ricurvo. Ne venivano costruiti tre specie: basso, tenore e discanto. Secondo il compositore e teorico tedesco Michael Praetorius lo strumento fu inventato da Giovanni Bassano, appartenente all'omonima famiglia veneziana di musicisti. Lo strumento è stato usato dal Rinascimento fino al sei-settecento. Con lo stesso nome è indicato uno dei registri dell'organo, anch'esso ad ancia.
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Le bassanello est un instrument à vent et à anche double de la Renaissance, répandu en Italie jusqu'au XVIe siècle. Il s'agit d'un instrument à l'apparence proche d'un basson, inventé selon Michael Praetorius par Giovanni Bassano, un important musicien et compositeur vénitien. Selon Praetorius toujours, le son du bassanello était proche de celui du basson tout en étant beaucoup moins fort.
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2533
