Bark Psychosis

http://dbpedia.org/resource/Bark_Psychosis an entity of type: Thing

Bark Psychosis sind eine Rockband aus London. rdf:langString

Bark Psychosis est un groupe de post-rock britannique, originaire de Londres, en Angleterre. Avant sa séparation en 1994, Bark Psychosis explore les genres ambient et expérimental du rock. Le groupe se reforme en 2004, après un changement de line-up. rdf:langString

I Bark Psychosis sono un gruppo post-rock inglese formatosi nel 1986 nella zona di Londra orientale. Sono stati uno tra i primi gruppi il cui stile musicale è stato etichettato come "post-rock" dal critico musicale Simon Reynolds, in un articolo del marzo 1994 pubblicato su Mojo. rdf:langString

Bark Psychosis is een Engelse band en muziekproject uit Oost-Londen, geformeerd in 1986. Ze worden gezien als een van de grondleggers van het post-rock-genre. Oorspronkelijk bestond de groep uit Graham Sutton, Daniel Gish, John Ling en Mark Simnett. Deze line-up (met bijdragen van andere artiesten) brachten in 1994 het album Hex uit. Het was het eerste album dat als "post-rock" beschreven werd. Sutton bleef deel uitmaken van de groep. Later waren Lee Harris (drummer van Talk Talk) en Colin Bradley (Dual) gastmuzikanten. rdf:langString

Bark Psychosis — британський рок-гурт, утворений 1986 року у Лондоні у складі: Ґрем Саттон, Денієл Ґіш, Джон Лінґ і Марк Сімнетт. Хоча записали та видали вони небагато, Bark Psychosis стали одним з найбільш новаторських колективів свого часу. Від гурту, що виконував переспіви з репертуару Napalm Death, вони еволюціонували спочатку у бік похмурого інді-попу, а згодом виробили неповторний стиль напруженої атмосферної гітарної музики, що її музичні критики охарактеризовано як пост-рок. rdf:langString

Bark Psychosis are an English post-rock band/musical project from east London formed in 1986. They were one of the bands that Simon Reynolds cited when coining "post-rock" as a musical style in 1994, and are thus considered one of the key bands defining the genre. rdf:langString

Bark Psychosis es un proyecto musical y banda de post-rock inglés del este de Londres formado en 1986. Fue una de las bandas citadas por Simon Reynolds al acuñar "post-rock" como estilo musical en 1994, y por lo tanto es considerada como una de las bandas clave en la definición de este género. rdf:langString

Bark Psychosis é uma banda inglesa de post-rock/projeto musical do Leste de Londres formado em 1986. Eles foram uma das bandas de que Simon Reynolds citou quando apostou no "post-rock" como um estilo musical em 1994, e assim é considerada uma das 'bandas-chave' definindo o gênero. Graham Sutton é o líder e fundador do grupo, o qual está atualmente em um projeto paralelo auxiliado por uma lista de músicos convidados por ele. Recentemente, membros convidados estão contribuindo, como o guitarrista Colin Bradley (da Dual) e o baterista do Talk Talk, Lee Harris. rdf:langString

rdfs:label

rdf:langString Bark Psychosis

foaf:name

rdf:langString Bark Psychosis

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rdf:langString Bark Psychosis

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xsd:integer 1107378

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xsd:integer 1109855548

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rdf:langString right

dbpprop:associatedActs

rdf:langString Talk Talk, Boymerang, .O.rang, Yellow6

dbpprop:caption

rdf:langString Bark Psychosis in 1992.

dbpprop:label

rdf:langString Cheree, Circa, Fire

dbpprop:origin

rdf:langString London, England

dbpprop:pastMembers

rdf:langString *John Ling *Mark Simnett *Rashied Garrison *Sue Page *Daniel Gish

dbpprop:quote

rdf:langString "We started off basically as a noise band; now that has just been turned around completely. Music is really tricky in that you think you've got it pinned down — what you know about music and what you're into — until something comes along and completely changes your perception of things, or your tastes change completely. It's constantly evolving and changing before your eyes and I find that really exciting — where you're going to go next is out of your control to an extent."

rdf:langString " just felt like the right time. I’d felt really spent after recording Hex and wanted to have a break from BP – it's pretty gruelling stuff to make – but enough time had passed for me to feel recharged and enthusiastic for making the next album. I’m not really interested in anything so nauseating as having some kind of "career" – I just make music when I want to and aim to please myself and nobody else. However I had no idea that it would take so long! For what it's worth I don’t envisage as long a gap until the next one."

rdf:langString "Things can get very sterile if you just use samples all the time... but I'm also very into digital technology and how you can manipulate sound with that. The vibes track on "Big Shot" was a whole mixture of five or six different takes and we sort of just chopped it up and reversed bits and pieces and mixed it all back together again. So we mixed technology with that chaotic human element of a person playing."

rdf:langString "It's crap. It's not worth the fucking bit of plastic it's printed on. It's complete bollocks. Bollocks, bollocks, bollocks. We literally recorded it in five minutes."

rdf:langString "The band disintegrated because I was getting into using samplers... We used to sample a little bit, but never as an intrinsic part, which always annoyed me, because I wanted to get into that more... I reached an impasse in how much further you could take it in that direction. I wanted to make things a bit tougher as well. And if you've got a drummer, it restricts what you do straight away. There was B-side which was trying to do drum 'n' bass with the drums, but it's pointless: you've got to get stuck in and get your hands dirty, make some tough decisions; which is hard if you've been working for a few years. It's hard for a drummer to take. So in that sense quite difficult."

dbpprop:source

rdf:langString Graham Sutton, interviewed in the Somewherecold webzine regarding the return of Bark Psychosis

rdf:langString Graham Sutton on the musical evolution of Bark Psychosis

rdf:langString Graham Sutton on the recording of "Clawhammer"

rdf:langString Graham Sutton on using recording technology

rdf:langString Graham Sutton on the final disintegration of the original Bark Psychosis in 1994

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<perCent> 30.0

dbpprop:yearsActive

xsd:integer 1986 2004

dbpedia-owl:abstract

rdf:langString Bark Psychosis are an English post-rock band/musical project from east London formed in 1986. They were one of the bands that Simon Reynolds cited when coining "post-rock" as a musical style in 1994, and are thus considered one of the key bands defining the genre. In its original form, the group was a quartet of Graham Sutton, Daniel Gish, John Ling and Mark Simnett. This line-up (with contributions from other passing members) recorded most of the early EPs and the seminal 1994 album Hex. Sutton has remained the consistent core member of the group, which is currently a flexible and intermittently active project in which he is supported by an altering roster of guest musicians (including experimental guitarist Colin Bradley (of Dual) and Talk Talk drummer Lee Harris).

rdf:langString Bark Psychosis sind eine Rockband aus London.

rdf:langString Bark Psychosis es un proyecto musical y banda de post-rock inglés del este de Londres formado en 1986. Fue una de las bandas citadas por Simon Reynolds al acuñar "post-rock" como estilo musical en 1994, y por lo tanto es considerada como una de las bandas clave en la definición de este género. Originalmente el grupo lo componían Graham Sutton, Daniel Gish, John Ling y Mark Simnett. Esta formación (con contribuciones de otros miembros no permanentes) grabó la mayoría de los primeros EP y el álbum seminal de 1994 Hex. Sutton se ha mantenido a lo largo del tiempo como el componente central del grupo. En la actualidad Bark Psychosis se ha convertido en un proyecto flexible de actividad intermitente apoyado por una lista de músicos invitados (incluyendo al guitarrista experimental Colin Bradley -de Dual- y al baterista de Talk Talk Lee Harris).

rdf:langString Bark Psychosis est un groupe de post-rock britannique, originaire de Londres, en Angleterre. Avant sa séparation en 1994, Bark Psychosis explore les genres ambient et expérimental du rock. Le groupe se reforme en 2004, après un changement de line-up.

rdf:langString I Bark Psychosis sono un gruppo post-rock inglese formatosi nel 1986 nella zona di Londra orientale. Sono stati uno tra i primi gruppi il cui stile musicale è stato etichettato come "post-rock" dal critico musicale Simon Reynolds, in un articolo del marzo 1994 pubblicato su Mojo.

rdf:langString Bark Psychosis is een Engelse band en muziekproject uit Oost-Londen, geformeerd in 1986. Ze worden gezien als een van de grondleggers van het post-rock-genre. Oorspronkelijk bestond de groep uit Graham Sutton, Daniel Gish, John Ling en Mark Simnett. Deze line-up (met bijdragen van andere artiesten) brachten in 1994 het album Hex uit. Het was het eerste album dat als "post-rock" beschreven werd. Sutton bleef deel uitmaken van de groep. Later waren Lee Harris (drummer van Talk Talk) en Colin Bradley (Dual) gastmuzikanten.

rdf:langString Bark Psychosis é uma banda inglesa de post-rock/projeto musical do Leste de Londres formado em 1986. Eles foram uma das bandas de que Simon Reynolds citou quando apostou no "post-rock" como um estilo musical em 1994, e assim é considerada uma das 'bandas-chave' definindo o gênero. Graham Sutton é o líder e fundador do grupo, o qual está atualmente em um projeto paralelo auxiliado por uma lista de músicos convidados por ele. Durante sua formação original, o grupo era um quarteto mais convencional: Graham Sutton, Daniel Gish, Jhon Ling e Mark Simnett. Essa formação gravou a maioria dos EP adiantados e o álbum seminal de 1994 . Recentemente, membros convidados estão contribuindo, como o guitarrista Colin Bradley (da Dual) e o baterista do Talk Talk, Lee Harris.

rdf:langString Bark Psychosis — британський рок-гурт, утворений 1986 року у Лондоні у складі: Ґрем Саттон, Денієл Ґіш, Джон Лінґ і Марк Сімнетт. Хоча записали та видали вони небагато, Bark Psychosis стали одним з найбільш новаторських колективів свого часу. Від гурту, що виконував переспіви з репертуару Napalm Death, вони еволюціонували спочатку у бік похмурого інді-попу, а згодом виробили неповторний стиль напруженої атмосферної гітарної музики, що її музичні критики охарактеризовано як пост-рок.

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xsd:nonNegativeInteger 45022

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xsd:gYear 1994

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xsd:gYear 1986

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