Ash (album)

http://dbpedia.org/resource/Ash_(album) an entity of type: Thing

Ash is the second studio album of French-Cuban R&B duo Ibeyi, consisting of twin sisters Lisa-Kaindé Diaz and Naomi Diaz. It was recorded in November 2016 and produced by Richard Russell. Ash differs from their self-titled first album for its more societal themes, features from high-profile artists such as Kamasi Washington, Meshell Ndegeocello, and Chilly Gonzales, and its upbeat tone. Ash has themes similar to those on Beyoncé's Lemonade (2016) and Solange's A Seat at the Table (2016) regarding racism, empowerment, and female problems. In presenting them, it uses samples from writings such as Claudia Rankine's Citizen: An American Lyric (2014), a diary by Frida Kahlo, and Michelle Obama's speech about Donald Trump and his sexual misconduct. rdf:langString
rdf:langString Ash (album)
rdf:langString Ash
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rdf:langString left
rdf:langString right
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rdf:langString IbeyiAsh.jpg
rdf:langString Kamasi Washington ', Meshell Ndegeocello ', and Mala Rodríguez contributed to Ash.
rdf:langString
xsd:integer 2014
rdf:langString Kamasi Washington Coachella.jpg
rdf:langString Mala Rodriguez 2008.jpg
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xsd:integer 78
xsd:gMonthDay --06-09
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rdf:langString featuring Chilly Gonzales
rdf:langString featuring Kamasi Washington
rdf:langString featuring Mala Rodríguez
rdf:langString featuring Meshell Ndegeocello
xsd:integer 3
xsd:integer 2015
rdf:langString "We know we can't change the world, but we do believe that our music brings hope, and that's the energy we transmit when we perform. For that hour and a half, we come together with our audience; we are one."
rdf:langString ""Deathless" was inspired by me meeting a racist policeman when I was 16. I got arrested by this policeman and he said, "Do you smoke?" And I said, "No." And he said, "Do you drink?" And he would come closer after every question, and I said, "No." And he said, "Do you use drugs?" And I said, "No." And he said, "Are you f****** kidding me?" And then he took my bag and he threw it, and all my things were on the floor. And he froze for a second because he saw that I had a book. I think I was reading War and Peace, and I had Chopin. And I think he thought, "Oh, she might be intelligent and have something in her head." So he just gave me my empty bag and left."
rdf:langString November 2016
xsd:date 2017-09-29
rdf:langString The Observer
rdf:langString The Times
rdf:langString Clash
rdf:langString Drowned in Sound
rdf:langString Exclaim!
rdf:langString Pitchfork
rdf:langString PopMatters
rdf:langString Q
rdf:langString The Skinny
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xsd:integer 7
xsd:double 8.300000000000001
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rdf:langString — Ibeyi on the purpose of Ash
rdf:langString — Lisa on the incident that inspired "Deathless"
rdf:langString The Copper House, London
rdf:langString Waves
rdf:langString Numb
rdf:langString Ash
rdf:langString Me Voy
rdf:langString Away Away
rdf:langString Deathless
rdf:langString I Carried This for Years
rdf:langString I Wanna Be Like You
rdf:langString No Man Is Big Enough for My Arms
rdf:langString Transmission" / "Michaelion
rdf:langString Valé
rdf:langString When Will I Learn
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rdf:langString Studio
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rdf:langString Ash is the second studio album of French-Cuban R&B duo Ibeyi, consisting of twin sisters Lisa-Kaindé Diaz and Naomi Diaz. It was recorded in November 2016 and produced by Richard Russell. Ash differs from their self-titled first album for its more societal themes, features from high-profile artists such as Kamasi Washington, Meshell Ndegeocello, and Chilly Gonzales, and its upbeat tone. Ash has themes similar to those on Beyoncé's Lemonade (2016) and Solange's A Seat at the Table (2016) regarding racism, empowerment, and female problems. In presenting them, it uses samples from writings such as Claudia Rankine's Citizen: An American Lyric (2014), a diary by Frida Kahlo, and Michelle Obama's speech about Donald Trump and his sexual misconduct. Ash was released on 29 September 2017 by XL Recordings and was critically well received in general. Multiple reviewers highlighted its uplifting take on political issues and its dynamic sound and style. However, some critics disliked the addition of electronic processing such as auto-tune as well as the preachy way it presented it messages. The album landed on the year-end lists of publications such as Pitchfork, Rolling Stone, Clash, and Exclaim!. Commercially, it peaked at number 19 on the French Albums Chart, and two of its songs, "Away Away" and "Deathless", reached number 175 and 190 on the French Singles Chart respectively.
xsd:nonNegativeInteger 34449

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