American Artists School
http://dbpedia.org/resource/American_Artists_School an entity of type: Thing
The American Artists School was a progressive independent art school in New York City associated with socialism and the American Radical movement. The school was founded in April 1936 at 131 West 14th Street, upon the dissolution of the John Reed Club School of Art. Its founders and board of directors included members and former members of the John Reed Club such as William Gropper, as well as contributors to the New Masses and the Daily Worker, and notable artists such as Margaret Bourke-White and Louis Schanker. Harry Gottlieb was its first director and Henry Billings the first secretary.
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American Artists School
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American Artists School
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American Artists School
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The American Artists School was a progressive independent art school in New York City associated with socialism and the American Radical movement. The school was founded in April 1936 at 131 West 14th Street, upon the dissolution of the John Reed Club School of Art. Its founders and board of directors included members and former members of the John Reed Club such as William Gropper, as well as contributors to the New Masses and the Daily Worker, and notable artists such as Margaret Bourke-White and Louis Schanker. Harry Gottlieb was its first director and Henry Billings the first secretary. The school emphasized art that was not only technically excellent but also alive to the social and class realities of the day, and stressed socially relevant content. A statement from the school's brochure of 1936 reads, "The American Artists School established [as] its fundamental premise...that the student must be developed as an independent thinker at the same time he is trained to be a competent artist. We believe that America contains infinite painting material, and that the student who learns to understand and appreciate it cannot but evolve into a socially constructive artist." The school suffered from financial difficulties and closed in the spring of 1941; however, the significant role it played in integrating art and society in the thirties was recognized by both the liberal and radical press.
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