9 Evenings: Theatre and Engineering
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9 Evenings: Theatre and Engineering was a series of performances from October 13–23, 1966, where artists and engineers from Bell Laboratories in Murray Hill, New Jersey collaborated on what was to be the first event in a series of projects that would become known as E.A.T. or Experiments in Art and Technology. 9 Evenings: Theatre and Engineering was conjured up by Robert Rauschenberg and Billy Klüver and was originally intended to be presented as part of the Stockholm Festival of Art and Technology in 1966. But when the festival's negotiations fell through, Billy Klüver and the whole group moved the event to the 69th Regiment Armory and called it 9 Evenings: Theatre and Engineering. The participants consisted of 10 artists and some 30 engineers to create a blend of avant-garde theatre, dan
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9 Evenings: Theatre and Engineering fue una serie de «performances» presentadas del 13 al 23 de octubre de 1966, donde artistas e ingenieros de los laboratorios Bell en Murray Hill, Nueva Jersey colaboraron en lo que sería el primer evento en una serie de proyectos que serían conocidos como o experimentos en arte y tecnología (por sus siglas en inglés.9 Evenings: Theatre and Engineering fue organizada por Robert Rauschenberg y y fue pensada originalmente para ser presentada como parte del Festival de Arte y Tecnología de Estocolmo de 1966, pero cuando las negociaciones con el festival fracasaron, Billy Klüver movió el evento al 69 regimiento de artillería y decidió llamarlo 9 Evenings: Theatre and Engineering. Participaron 10 artistas y unos 30 ingenieros para crear una conjunción entr
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9 Evenings: Theatre and Engineering
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9 Evenings: Theatre and Engineering
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9 Evenings: Theatre and Engineering was a series of performances from October 13–23, 1966, where artists and engineers from Bell Laboratories in Murray Hill, New Jersey collaborated on what was to be the first event in a series of projects that would become known as E.A.T. or Experiments in Art and Technology. 9 Evenings: Theatre and Engineering was conjured up by Robert Rauschenberg and Billy Klüver and was originally intended to be presented as part of the Stockholm Festival of Art and Technology in 1966. But when the festival's negotiations fell through, Billy Klüver and the whole group moved the event to the 69th Regiment Armory and called it 9 Evenings: Theatre and Engineering. The participants consisted of 10 artists and some 30 engineers to create a blend of avant-garde theatre, dance and new technologies. 9 Evenings was the first large-scale collaboration between artists and engineers and scientists. The two groups worked together for 10 months to develop technical equipment and systems that were used as an integral part of the artists’ performances. Their collaboration produced many "firsts" in the use of new technology for the theater, both with specially-designed systems and equipment and with innovative use of existing equipment. Closed-circuit television and television projection was used on stage for the first time; a fiber-optics camera picked up objects in a performer's pocket; an infrared television camera captured action in total darkness; a Doppler sonar device translated movement into sound; and portable wireless FM transmitters and amplifiers transmitted speech and body sounds to Armory loudspeakers. Artists involved with 9 Evenings include: John Cage, Lucinda Childs, Öyvind Fahlström, Alex Hay, Deborah Hay, Steve Paxton, Yvonne Rainer, Robert Rauschenberg, David Tudor, and Robert Whitman. Cage's Variations VII, the next to last in his series of indeterminate works that Cage had begun in 1958 which made increasing use of electronic equipment and systems, was performed at 9 Evenings. Notable engineers involved include: Bela Julesz, Billy Klüver, Max Mathews, John Pierce, Manfred Schroeder, and Fred Waldhauer.
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9 Evenings: Theatre and Engineering fue una serie de «performances» presentadas del 13 al 23 de octubre de 1966, donde artistas e ingenieros de los laboratorios Bell en Murray Hill, Nueva Jersey colaboraron en lo que sería el primer evento en una serie de proyectos que serían conocidos como o experimentos en arte y tecnología (por sus siglas en inglés.9 Evenings: Theatre and Engineering fue organizada por Robert Rauschenberg y y fue pensada originalmente para ser presentada como parte del Festival de Arte y Tecnología de Estocolmo de 1966, pero cuando las negociaciones con el festival fracasaron, Billy Klüver movió el evento al 69 regimiento de artillería y decidió llamarlo 9 Evenings: Theatre and Engineering. Participaron 10 artistas y unos 30 ingenieros para crear una conjunción entre teatro avant-grade, danza y nuevas tecnologías. «9 Evenings fue la primera colaboración a gran escala entre artistas e ingenieros y científicos. Los dos grupos trabajaron juntos por 10 meses para desarrollar equipo técnico y sistemas que serían usados como parte integral de las performances de los artistas. La colaboración produjo muchos "primeros" en el uso de nuevas tecnologías para el teatro, con el uso de equipo especialmente diseñado o con el uso innovador de equipamiento existente. El sistema de circuito cerrado y los proyectores de televisión fueron usados en un escenario por primera vez; una cámara de fibra óptica capturaba objetos en los bolsillos de un performer; una camara infrarroja tomaba imágenes en total oscuridad; un sonar Doppler transformaba movimiento en sonido; y transmisores y amplificadores inalámbricos FM mandaban diálogos y sonidos del cuerpo a megáfonos del Armory». Los artistas involucrados con 9 Evenings incluyen a John Cage, , Öyvind Fahlström, , , Steve Paxton, Yvonne Rainer, Robert Rauschenberg, David Tudor, and . Algunos de los ingenieros más notables que participaron incluyen a , , , , , and .
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