7 (Apoptygma Berzerk album)
http://dbpedia.org/resource/7_(Apoptygma_Berzerk_album) an entity of type: Thing
7 is the second studio album from Norwegian futurepop group Apoptygma Berzerk. The album was released in 1996 following frontman Stephan Groth's work on several side projects. It has been remastered and re-released in 2003, 2008 and 2014 (on cassette) respectively. While each remaster included bonus songs, the samples of Carl Orff's "O Fortuna" present on "Love Never Dies – Part 1" were replaced with a choir keyboard patch playing an entirely different melody, due to copyright issues over the original pressings by Tatra and Metropolis Records. The album peaked at #18 on the CMJ RPM Charts in the U.S.
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7 (Apoptygma Berzerk album)
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7
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6581824
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1107661442
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Cover to the original edition of the album
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7
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Electro
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Experimental
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1998
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2002
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2007
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Original 1996 pressing
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178.0
205.0
240.0
264.0
295.0
309.0
328.0
333.0
351.0
367.0
377.0
395.0
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411.0
433.0
1196.0
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1998
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ends at 2:58; hidden tracks "Non-Stop Violence " and "Untitled Too" begins at 9:58
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ends at 2:58; hidden tracks "Non-Stop Violence " and "Untitled One" begins at 7:55
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APB Guitar Remix
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Blackmail Remix
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Lo-Fi Version
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OMD cover
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includes "Non-Stop Violence " as a prologue
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Alludes to serial killer Fred West, who killed at least 12 young women in Gloucester, England, and committed suicide in 1995.
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unlisted track
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ends at 2:58; hidden tracks "Non-Stop Violence ", "Untitled One" and "Untitled Too" begin at 9:55
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1993
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1996-05-01
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25
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Half Asleep
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Nearer
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Rebel
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Untitled 2
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Deep Red
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Love Never Dies – Part 1
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Love Never Dies – Part 2
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Mourn
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Non-Stop Violence
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Untitled Too
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7 is the second studio album from Norwegian futurepop group Apoptygma Berzerk. The album was released in 1996 following frontman Stephan Groth's work on several side projects. It has been remastered and re-released in 2003, 2008 and 2014 (on cassette) respectively. While each remaster included bonus songs, the samples of Carl Orff's "O Fortuna" present on "Love Never Dies – Part 1" were replaced with a choir keyboard patch playing an entirely different melody, due to copyright issues over the original pressings by Tatra and Metropolis Records. The album peaked at #18 on the CMJ RPM Charts in the U.S.
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4677