1972 Montreal Museum of Fine Arts robbery

rdf:langString 1972 Montreal Museum of Fine Arts robbery

rdf:langString $2 million worth of paintings and jewellery stolen, only two pieces of which have been recovered

rdf:langString Skylight Caper

rdf:langString An anonymous painting similar to Jan Davidsz van Heem's Still Life: Vanitas, among the stolen works

rdf:langString A black and white image of a painting showing, from left to right, a globe, skull, several books, some jewellery, a violin and a pocket watch lain casually across a grey countertop

rdf:langString Montreal, Quebec, Canada

rdf:langString Three unidentified men

rdf:langString The 1972 Montreal Museum of Fine Arts robbery, sometimes called the Skylight Caper, took place very early in the morning of September 4 of that year. Three armed robbers used a skylight under repair to gain entry to the museum from its roof, tied up the three guards on duty, and left on foot with 18 paintings, including a rare Rembrandt landscape and works by Jan Brueghel the Elder, Corot, Delacroix, Rubens, and Thomas Gainsborough, as well as some figurines and jewellery. One of the Brueghels was returned by the thieves as an initiative to start ransom negotiations. None of the other paintings has ever been recovered and the robbers have never been arrested or even publicly identified, although there is at least one informal suspect. Collectively, the missing paintings have been valued at $11.7 million in 2017 dollars; although their value may have diminished since the theft as scholars have called the attribution of some of the works into question. However, the Rembrandt alone has been valued at $1 million; in 2003 The Globe and Mail estimated it to have appreciated in value to $20 million. The thieves appeared to know what works they were looking for; many of the works had been part of Masterpieces from Montreal, a travelling exhibition that had been to many museums in the U.S. and Canada prior to Expo 67, as well as some other special exhibits put on by the museum in the preceding years. It is not only the largest art theft in Canada but the largest theft in Canadian history. Investigation of the crime proved difficult in the early going, since it occurred over the Labour Day holiday weekend, when many of the museum's officials including its director were vacationing far away from Montreal. It was further complicated by continuing news coverage of the Blue Bird Café fire, Montreal's deadliest arson, three days earlier, dominating the headlines; the next day the killings of Israeli athletes by Palestinian terrorists at the Olympics in Munich further diminished media coverage. A sting operation conceived after the thieves returned the Brueghel (later reattributed to his students) and mailed photos of the other works to the museum seeking a ransom payment went awry; a later attempt to negotiate their return cost the museum $10,000 with no results. The thieves took advantage of weakened security, resulting from the renovations at the museum, which had left the skylight's alarm disabled. The renovations and the security flaws were themselves a consequence of the museum's tightening finances, which had worsened during the 1960s as many of the wealthy Anglophone community in Montreal that had supported the museum since its founding in 1860 began to leave for Toronto due to increasing concerns over Quebec separatism, especially after terrorist acts by the Front de libération du Québec had led to martial law in the Montreal area two years earlier. Sûreté du Québec, the Royal Canadian Mounted Police and Interpol continue to investigate the crime. Theories as to who might be responsible have ranged from the Montreal Mafia to Quebec separatists.